Dmitry Belosselskiy is one of the most exciting basses of his generation; taking the operatic world by storm, and celebrated by audiences and critics alike.
Dmitry starts the 2021/22 season with his company debut at the Wagnerfestspiele in Bayreuth, followed by a return to Opera di Roma and Teatro Regio di Torino. New productions of Khovanshchina at Opera national de Paris, Wozzeck at Wiener Staatsoper as well as Nabucco at the Teatro Real in Madrid. In concert he will appear in a Verdi Requiem with Emmanuel Villaume.
He has already established a remarkable career and has performed at the world’s finest opera houses and concert venues, including Metropolitan Opera New York, Teatro alla Scala, Salzburger Festspiele, Bayerische Staatsoper Munich, Lyric Opera of Chicago, Maggio Musicale Fiorentino, Deutsche Staatsoper Berlin, Wiener Staatsoper, Opéra de Paris, Chorégies d'Orange, Maggio Musicale Fiorentino, Opernhaus Zurich, Teatro dell’Opera di Roma, Theater an der Wien, Washington National Opera, Canadian Opera Company Toronto, Palau de les Arts Reina Sofia, and Bayerische Staatsoper Munich. He has also appeared with the London Philharmonic Orchestra, the Chicago Symphony Orchestra, as well as on the stages of Avery Fisher Hall, New York, Harris Theater, Chicago, John Hancock Hall Boston, Philharmonie Luxembourg, Wiener Konzerthaus, Gewandhausorchester Leipzig, Macau International Music Festival, Seoul Arts Center, Palm Beach Opera and Bregenzer Festspiele.
Dmitry has worked with many leading conductors including Riccardo Muti, Zubin Mehta, Daniel Barenboim, Riccardo Chailly, Vladimir Spivakov, Yuri Bashmet, Vladimir Fedoseyev, Marco Armiliato, James Levine, Phillippe Jordan, James Conlon, Jan Latham Koenig, Bertrand de Billy, Thomas Sanderling, Jesus López-Cobos, Riccardo Frizza and Mikhail Pletnev.
Dmitry graduated from the Russian Academy of Music. In 2007 he won the second prize at the XIII International Tchaikovsky Competition. He continues to tour the world as a soloist with the Moscow Sretensky Monastery Choir.