Opera in Concert

Elektra

Opera drama in the concert hall

3/12

Thursday | 3/12/2026
7:00 pm Start of Concert

Concert introduction with Albert Breier 1 hour before the concert starts in the hall of the Central Library (1st floor).
Kulturpalast, Konzertsaal
Prices
64 | 53 | 45 | 39 | 29 | 22 €
FLEX fee + 6 €
Reduced prices:
from €10 for pupils under 18 
from €10 for young people under 30
from 11 € for Dresden-Pass and SB from GdB 80
8 € for last minute
Who receives discounts? Read here.

3/15

Sunday | 3/15/2026
6:00 pm Start of Concert

Concert introduction with Albert Breier 1 hour before the concert starts in the hall of the Central Library (1st floor).
Kulturpalast, Konzertsaal
Prices
64 | 53 | 45 | 39 | 29 | 22 €
FLEX fee + 6 €
Reduced prices:
from €10 for pupils under 18 
from €10 for young people under 30
from 11 € for Dresden-Pass and SB from GdB 80
8 € for last minute
Who receives discounts? Read here.

About the Concert

With "Elektra," Richard Strauss created one of the most gripping and emotionally intense works in opera literature. The story, based on the ancient tragedy, revolves around Elektra's relentless desire for revenge for the murder of her father.

The drama unfolds in a single, feverishly tense scene - a milestone in music history. Strauss' score is a thunderstorm of sound, using massive orchestral forces and the finest emotional nuances to make the inner depths of the characters audible. He combines harsh dissonances with moments of painful beauty, leading the listeners into a gripping psychological study.

Under the direction of Sir Donald Runnicles, who is celebrated worldwide for his interpretations of Strauss, "Elektra" unfolds its full force in concert. Without a stage set, but with a fully occupied orchestra and a high-caliber cast of soloists, the focus is on the music and the drama.

Program

Richard Strauss
"Elektra" Tragedy in one act (freely based on Sophocles) Libretto by Hugo von Hofmannsthal

Artists

Sir Donald Runnicles
Conductor
Karita Mattila
Mezzo-soprano (Klytämnestra)
Ausrine Stundyte
Soprano (Elektra)
Elisabeth Teige
Soprano (Chrysothemis)
Thomas Blondelle
Tenor (Aegisth)
Albert Pesendorfer
Baritone (Orest)
Nina Bezu
Soprano (4th Maid and Confidante)
Hailey Clark
Soprano (5. Maid and Carrier)
Gideon Poppe
Tenor (Young Servant)
Catherine Woodward
Soprano (Supervisor)
Stephanie Wake-Edwards
Mezzo-soprano (1st Maid)
Anna Lapkovskaja
Mezzo-soprano (2nd Maid)
Sarah Castle
Mezzo-soprano (3rd Maid)
MDR-Rundfunkchor
Dresdner Philharmonie

Biographies

Sir Donald Runnicles

Chief Conductor of the Dresdner Philharmonie from 25/26

Introducing Sir Donald Runnicles! More pictures & videos of our new Chief Conductor can be found here.

Sir Donald Runnicles will become Chief Conductor of the Dresden Philharmonic at the start of the 2025/26 season; he already serves as Chief Conductor Designate in 2024/25. The Scottish-born conductor is also GMD of the Deutsche Oper Berlin until mid-2026. He stands for the principle of quality over quantity and has built up close artistic relationships with renowned institutions worldwide. His expertise in the opera and concert repertoire is in demand everywhere, and the German repertoire is particularly close to his heart.

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Karita Mattila

For over 40 years, the Finnish soprano Karita Mattila has been active on the stage and is celebrated for the lyrical beauty of her voice and her innate sense of drama. Her signature roles include Kostelnička (“Jenůfa”), Clytemnestra (“Elektra”) and Foreign Princess in (“Rusalka”). Numerous awards and honorary titles adorn her artistic path. She passes on her experience to the next generation in masterclasses.

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Ausrine Stundyte

Lithuanian soprano Aušrinė Stundytė is best known for her portrayal of extreme female roles, and she sees opera as the highest form of fusion of different forms of expression. In 2020, she made a triumphant debut at the Salzburg Festival in the role of Strauss's “Elektra”. But her repertoire also includes roles such as Dido in Purcell's “Dido and Aeneas” or Jeanne in Penderecki's “The Devils of Loudon”.

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Elisabeth Teige

Norwegian soprano Elisabeth Teige is known for her warm, beautiful timbre, intuitive musicality and compelling stage presence. She lends her youthful dramatic soprano to characters such as Wagner's Senta, Sieglinde or Elisabeth, Strauss' Chrysothemis or Beethoven's Leonore. She has been casted by the Bayreuth Festival since 2022, and has recently made her debut at the Teatro di San Carlo in Naples and the Gran Teatro del Liceu in Barcelona

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Thomas Blondelle

The Belgian tenor Thomas Blondelle has a broad operatic repertoire that includes roles from Mozart to Wagner, as well as contemporary works. In summer 2024, he made his debut at the Bregenz Festival as Max in “Der Freischütz”. From 2009 to 2023, he was a member of the ensemble at the Deutsche Oper Berlin, where he sang roles including Tamino (“Die Zauberflöte”), Herod (“Salome”), Macduff (“Macbeth”), Eisenstein (“Die Fledermaus”), Pelleas (“Pelleas et Mélisande”) and the title role in “Parsifal”.

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Albert Pesendorfer

The Austrian-born Albert Pesendorfer sings the important bass roles in numerous German-language operas with great success, above all in works by Wagner and Strauss. However, his stylistic versatility also allows him to effortlessly tackle the Italian or Slavic repertoire. He tours throughout Germany and Europe, the United States and Japan as a freelance singer. Since 2015, he has been a professor of singing at the Berlin University of the Arts.

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Nina Bezu

Berlin-born soprano Nina Bezu has recently made several major role debuts, including as the Contessa in Mozart's "Le nozze di Figaro", as Salome in Strauss' opera of the same name, and as Elisabeth de Valois in Verdi's "Don Carlos". The singer, who has won numerous awards and scholarships, is also a successful Wagner interpreter, as in the role of Gerhilde in "Die Walküre", and as a soloist in the symphonic concert repertoire, such as Verdi's Requiem.

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Hailey Clark

Hailey Clark, a U.S. soprano acclaimed by Opera News for her "warm" and "effortless" lyric soprano and known for her dynamic interpretations, quickly made a name for herself in Europe and North America. She was awarded the Austrian Music Theater Prize in the category of "Best Female Lead" for her portrayal of Alma Beers in Brokeback Mountain (2016) in her European debut at the Salzburg Landestheater.

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Gideon Poppe

Tenor Gideon Poppe was a member of the ensemble at the Badisches Staatstheater Karlsruhe, the Staatstheater Kassel, and for over ten years at the Deutsche Oper Berlin. In 2022, he made his debut at the Edinburgh Festival under the baton of Sir Donald Runnicles as Jaquino in "Fidelio". In 2024, he appeared for the first time at the Bayerische Staatsoper in Weinberg's "Die Passagierin", He has also performed in London, Muscat, and Vienna. Since fall 2022, he has been a professor of voice at the Hochschule für Musik und Tanz in Cologne.

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Catherine Woodward

The dramatic soprano Catharine Woodward comes from Great Britain but now lives in Germany. Her opera repertoire includes, among others, the three Brünnhilde roles in Wagner's "Ring of the Nibelung" and the Valkyrie Gerhilde, which she sings at the Bayreuth Festival, as well as Mimì in "La Bohème" and Alice Ford in "Falstaff". She has appeared in several TV productions and sang Puccini in an MRI scanner for research purposes some years ago.

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Stephanie Wake-Edwards

The award-winning British mezzo-soprano and contralto Stephanie Wake-Edwards was England's representative for the Cardiff Singer of the World Competition in 2021 and is currently a member of the ensemble at the Deutsche Oper Berlin. There she sings the title role in Bizet's “Carmen,” Maddalena in Verdi's “Rigoletto,” and the page in Strauss' “Salome,” among other roles. She also performs as a concert singer in many venues, including in Handel's “Messiah,” Mahler's Third Symphony, and in recitals.

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Anna Lapkovskaja

Mezzo-soprano Anna Lapkovskaya comes from Minsk and grew up in Munich. Since her debut at the Berlin State Opera in 2019, she has performed at numerous leading opera houses and festivals, including the Bavarian State Opera, the Teatro alla Scala di Milano, the Teatro Real Madrid, the Teatro Colón, the Bayreuth Festival and the BBC Proms. In addition to her operatic activities, the singer devotes herself intensively to concert singing and has already performed with the Berlin Philharmonic Orchestra, among others.

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Sarah Castle

With a repertoire spanning more than three and a half centuries of different styles, New Zealand-born, UK-based mezzo-soprano Sarah Castle is attracting international attention. Her current engagements include particularly diverse Wagner roles such as Floßhilde, Waltraute, and Fricka, but she also performs in numerous trouser and female roles from the Baroque, Classical, and Romantic periods, as well as in works by contemporary composers such as Tan Dun and John Adams.

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MDR-Rundfunkchor

The MDR Rundfunkchor is the largest choir of the German public broadcasting service and celebrated its 100th anniversary in 2024. Secular and sacred music, ensemble singing and choral symphonic works are equally part of its repertoire, which spans almost a millennium of music history. The ensemble is an excellent partner for Europe's well-known symphony orchestras, but with its clear, defined and full sound, it is also a leader in the interpretation of a cappella works.

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Dresdner Philharmonie

Top Class!

That is the claim of the Dresden Philharmonic Orchestra. The orchestra stands for concerts at the highest artistic level, musical education for all ages and looking beyond the musical horizon. Guest performances on almost every continent and collaborations with guests from all over the world have established the reputation of the Dresden Philharmonic Orchestra in the international classical music world.  

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