French-born Alexandre Bloch assumed the position of Music Director of Orchestre National de Lille at the start of the 2016/17 season. From 2015 – 2021, Alexandre was also Principal Guest Conductor of Düsseldorfer Symphoniker.
Alexandre leads a diverse and thrilling range of repertoire in Lille over the 2022/23 season, performing works in their main concert series by Britten, Bartok, Mahler and Berlioz among others, featuring internationally acclaimed soloists such as Isabelle Faust, Dame Sarah Connolly and Pierre-Laurent Aimard. The season with ONL will also include a tour to Salzburg with Nemanja Radulović. Guest conducting engagements include return visits to Opera de Lyon (Le nozze di Figaro) and Orchestre Métropolitain (Montréal). Debut appearances include Utah Symphony, a UK tour with the National Youth Orchestra of Great Britain, and performances at the Bratislava Festival with Slovak Philharmonic and Gil Shaham.
Recent highlights include debuts with Bayerische Staatsoper (Thomas), Berner Symphonieorchester, Deutsches Symphonie-Orchester Berlin (concerts and commercial recording with Daniel Müller-Schott); Tiroler Landstheater Orchester Innsbruck , Gurzenich-Orchester Köln and his acclaimed debut for Opéra de Lyon conducting George Benjamin’s Lessons in Love and Violence. Work with Orchestre National de Lille has included many symphonic programmes, a critically acclaimed Mahler cycle, performances at the Festival de St Denis and at the Philharmonie de Paris, Stravinsky’s major ballet scores and commercial recordings. Earlier seasons have taken him to Orchestre de la Suisse Romande, Orchestra of the National Centre for Performing Arts Beijing and Vancouver Symphony, Musikkollegium Winterthur, Royal Northern Sinfonia, BBC National Orchestra of Wales and a tour to Kuwait with London Symphony Orchestra.
Past symphonic guest conducting has also included Deutsche Kammerphilharmonie Bremen, Orchestre Philharmonique de Radio France, Orchestre National d’Ile-de-France, Orchestre National du Capitole de Toulouse, Orchestre National de Lyon, Orchestre National de France, the Nash Ensemble, Scottish Chamber Orchestra, Royal Liverpool Philharmonic Orchestra, the Orchestra of Opera North, Norwegian Radio Orchestra, Oslo Philharmonic, Danish National Chamber Orchestra, Los Angeles Chamber Orchestra, Orchestre Métropolitain (Montréal), Brussels Philharmonic, Ulster Orchestra, Nordwestdeutsche Philharmonie, Filharmonia Poznanska, Vancouver Symphony Orchestra, Seoul Philharmonic Orchestra, Royal Concertgebouw Orchestra, Adelaide Symphony Orchestra and Australian Youth Orchestra. He has conducted opera in concert with Orchestre National de Lille, including Bizet’s Les Pêcheurs de Perles (Lille and Paris, Théâtre des Champs-Elysées), Bernstein’s Mass and Carmen. Opera highlights also include Donizetti’s l’Elisir d’Amore at the Deutsche Oper am Rhein and Tosca at Opera de Lille.
Shortly after his Donatella Flick Competition success he made his debut with Royal Concertgebouw Orchestra, replacing Mariss Jansons at short notice to conduct three performances of a challenging programme including Richard Strauss’ Tod und Verklärung and a Jörg Widmann commission for large orchestra. He was named one of "2012's Talents" by the ADAMI (French Performing Right Society) and was a conducting fellow at the 2012 and 2013 Tanglewood Music Center Festival. He also drew the attention of conductors such as Mariss Jansons, Charles Dutoit, Pierre Boulez, Bernard Haitink, Sir Mark Elder and Esa-Pekka Salonen. Under Alexandre’s direction, the Orchestre National de Lille was named a finalist for the Gramophone Orchestra of the Year Award 2020.
Born in 1985, Alexandre first graduated with diplomas in cello performance, harmony and conducting from Tours, Orléans and Lille. He then entered the Conservatoire National Supérieur de Musique et de Danse de Paris, to further his studies in composition and conducting. In 2012, he completed his Master’s Degree in Conducting in the studio of Zsolt Nagy, prior to gaining a Diploma and the Sir John Zochonis Junior Fellowship (2012/13 season) at the Royal Northern College of Music. Admired for his musicality, enthusiasm and energy, his First Prize at the 2012 Donatella Flick LSO Conducting Competition attracted international attention and brought him the opportunity to serve as Assistant Conductor of the London Symphony Orchestra.
Commercial releases (Alpha Classics/Outhere) with Orchestre National de Lille include a new recording of Mahler Symphony No. 7, two recordings with Veronique Gens shining light on the work of Ernest Chausson and Francis Poulenc, and a recording of Ravel’s La Valse and Rhapsodie Espangnole. Upcoming releases with Lille will include Bartok Concerto for Orchestra. Many of the orchestra’s concerts have been broadcast on its virtual concert hall “Audito 2.0”, or on TV/radio, including France Musique and Mezzo.